On May 26, 2007, Russian National Orchestra, under conductor Mikhail Pletnev, presented a not-so-Russian program of
Hungarian and Czechoslovakian composers at National Concert Hall, Taipei, Taiwan.
Their performance of Liszt’s Les Preludes, Prometheus, and Festklange and Dvorak’s Symphony No. 9 (“From the New World”) was exciting. What fascinates and inspires me more, however, is the entrepreneurial story behind this “first independent Russian orchestra.” According to this interview
…’Musician goes home to wife and three kids and says, “My darling, I am leaving my job to go with a young, not-yet-established conductor, who is starting a new orchestra.” “Wonderful! And do you have concerts?” “No.” “Instruments?” “No.” “Scores?” “No.” “Salary” “No.” So things are not good at home!’
Truly, he could offer them nothing but a dream: the creation of the first independent Russian orchestra since 1917, and the chance to make music in artistic freedom.
… he also took out a huge personal loan, and over time would invest literally all his personal savings in this unlikely venture that had every probability of failing.
…
Is it possible to compare the performance of RNO and other government-funded Russian orchestras, say, Federal State Establishment “The D.D.Shostakovich St.Petersburg Academic Philharmonia”?